Satyabhakta’s engagements with communist politics, the Hindi print public sphere, and workers’ movements in the Gangetic heartland often intermeshed caste, gender, and nationalism, with an indigenous communism. Signifying a strand of the Hindi literary project, he represents some of the suppressed traditions of left dissent, and takes us back to debates between internationalism and nationalism, materialism and spiritualism, class and caste. Even if his ideas were, at times, amateur, they provide us with the everyday lived realities of communist lives, and utopian dreams of equality, which need to be taken into account and historicised seriously.
